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Posted in Art, Getty Research Institute, Prints and Drawings

A Wartime Apocalypse, in Miniature

Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.
Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.

Tiny, feverish watercolors by Ernst Ludwig Kirchner express the anxious hopes of an entire generation of European artists. More»

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Posted in Getty Research Institute, Research

New Report Visualizes Cultural History through “Big Data”

Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014
Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014

Using science to map art history. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Yvonne Rainer in Her Own Words

Yvonne Rainer at the Getty Research Institute

Hear artist Yvonne Rainer read from her diaries. More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Research

Unlocking Archives through Digital Tech

Decourcy McIntosh, Thomas Gaehtgens, and Gail Feigenbaum
In the Special Collections Reading Room, workshop participants look inside an art dealer's photograph album. Foreground, left to right: independent scholar Decourcy McIntosh, Research Institute director Thomas Gaehtgens, and associate director Gail Feigenbaum.

The vast archives of the Getty Research Institute contain many stories yet untold. More»

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Posted in Architecture and Design, Getty Research Institute, Research

The Fiery Career of Architecture Critic Ada Louise Huxtable

Ada Louise Huxtable with Richard Meier in 1996
Photo: Vladimir Lange

“I wanted her attention, but I was scared of it…She was tough, but her words were beautiful.” More»

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Posted in Architecture and Design, Getty Research Institute, Research

Treasures from the Vault: The Ada Louise Huxtable Archive

Portrait of Ada Louise Huxtable, 1970s
Photograph by L. Garth Huxtable

Inside the archive of one of the greatest 20th-century writers on architecture. More»

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Posted in Architecture and Design, Art, Exhibitions and Installations, Getty Research Institute

10 Features of L.A.’s Union Station Not to Miss

lights_southpatio3blog

The top ten hidden design gems of L.A.’s Union Station. More»

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Posted in Architecture and Design, Behind the Scenes, Getty Research Institute, Research

Connecting Seas: The Getty Research Institute in Manila

Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez
Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez

“For all of us, the trip was revelatory on many levels.” More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Posted in Art, Getty Research Institute, Research

Art & Architecture Thesaurus Now Available as Linked Open Data

Linked Open Data / Vincent van Gogh's Irises

A key reference database on art and architecture is now available for free download. More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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