Gwynne Guibord

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Bigger Than Ourselves: Episcopal Priest Dr. Gwynne Guibord on Finding the Sacred through Art

Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 117880. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury
Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury

“All space, all beings, and all creation is sacred—but we don’t walk through life seeing it that way. Art offers a transition, helping us leave behind the secular world and move into a sacred place.” More»

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      Masked Harlequin, the commedia dell’arte’s leading man, lures an innocent, elegantly dressed young lady into the world of prostitution. She’s caught the eye of a displeased young man, dressed in dapper clothes. They stand out in this scene of costumed characters in exaggerated clothing. 

      Gillot’s light, quick brushstrokes mimics the satirical subject and lighthearted portrayal of human folly.

      Fashion Fridays explores art, history, and costume inspired by the exhibition Rococo to Revolution #NowOnView

      Scene from the Italian Comedy (recto), about 1700, Claude Gillot. The J. Paul Getty Museum

      07/25/14

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