haiku

Posted in Art, Education, Exhibitions and Installations, Getty Center, J. Paul Getty Museum, Prints and Drawings

The Art of Suggestion

Poetry of Paper haiku station with visitors

Visitors to the Getty Museum’s exhibition The Poetry of Paper reflect on negative space in the drawings on view by writing haiku. More»

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Posted in Art, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Getty Voices: The Poetry of Paper

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Our new drawings exhibition takes an unusual look at negative space, through the lens of poetry. More»

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Posted in Art, J. Paul Getty Museum, Paintings

Van Gogh’s Irises / Haiku Verses from Readers / An Invitation

Birthday cake for Vincent van Gogh's birthday decorated with The Irises in icing

To celebrate Vincent van Gogh, who was born on this day in 1853, we’ve been inviting visitors to share their thoughts in haiku form. Please join us! Leave a comment here, tweet your poem with the hastag #arthaiku, or leave… More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Paintings

Labeling Turner

Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an object,… More»

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      gettypubs:

      COBALT

      The histories of many colors are amazing, but cobalt may well have the most brilliant of them all. From the Ming Dynasty to Renaissance Italy, cobalt was a popular glaze for porcelain and other ceramics. Cobalt ink is invisible unless exposed to flame, which turns it a vivid green. In the 17th century, this quality made Europeans believe it was witchcraft, but decades later it was used as a neat trick on fire screens. It wasn’t until 1802 that painters added cobalt to their palette. 

      It is this little tidbit from cobalt’s history that saved master forger Han van Meergeren’s skin after WWII, when he was tried for collaborating with the Nazis. Want to find out how some art history sleuthing and smart science got him a not guilty verdict? Hint: Don’t try to forge a Vermeer with cobalt! 

      Read all about it in The Brilliant History of Color in Art!

      Images, clockwise:

      Glazed earthenware dish with a marchant ship, Italy, about 1510. 

      Glazed earthenware tile floor, Spain, about 1425-50.

      Porcelain lidded vase, China, about 1662-1772.

      All objects from the J. Paul Getty Museum. 

      12/18/14

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