The greatest romance of the 19th century, captured on camera. More»
“First, ever so lightly, I take a little flesh-colored pigment and add a bit of color to his face,” said Luther Gerlach as he glided his brush over an old photograph of a boy clutching a hat. “Then let’s add… More»
The idealized countryside painted by a native city dweller.
This light and color study wasn’t meant for exhibition, but rather was a way for Corot to explore his new scenery outside of the studio.
Houses near Orleans, about 1830, Jean-Baptiste-Camille Corot. J. Paul Getty Museum.