horticulture

Posted in Gardens and Architecture, Getty Center

Getty Gardens: Brown Is the New Green

Green and brown flowers and rocks in the Getty's Central Garden

To adapt to the California drought, the Getty gardens team embraces the brown. More»

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Posted in Behind the Scenes, Gardens and Architecture

A Tree Gets Its Wings

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As a new tree reaches the end of its life, a new sun garden is born. More»

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Posted in Behind the Scenes, Getty Center

Never-Ending Summer in the Central Garden

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Long live summer. More»

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Posted in Gardens and Architecture, Getty Center

Sniff Your Way through the Getty Gardens

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A smell tour of the Getty Center’s flora. More»

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Posted in Gardens and Architecture

September in the Central Garden

Echinacea in the Central Garden at the Getty Center, September 2013

Flowers and foliage give off a feverish display as summer winds, ever so slowly, to a close. More»

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Posted in Art, Gardens and Architecture

Edible Gardening in the Renaissance

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What grew in the Renaissance garden? Many familiar favorites, from cabbage to strawberries. More»

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Posted in Gardens and Architecture, Getty Center

Hi! I’m an L.A. Native.

Cream cups (Platystemon californicus)

They say L.A. has no center; they say it’s a desert. We native Angelenos know that’s not true—and not just when it comes to architecture, either. More»

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Posted in Gardens and Architecture

For California Gardeners, Winter Is the New Summer

European honeybee on tidy tips in the Central Garden

Winter, the sere season? Not in California, where the cool months are our lushest, our most verdant of all. More»

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Posted in Gardens and Architecture, Getty Center

The Moment of Alliums

Coming this summer: Look for sculptural alliums holding their own against the dramatic architecture of the Getty Center
Coming this summer: Look for sculptural alliums holding their own against the dramatic architecture of the Getty Center

It is the week of return—of the vernal equinox, and of the shooting stars—the blue blue-violet alliums in Robert Irwin’s Central Garden at the Getty Center. We’ve been waiting. In late-ish February, green shoots began rocketing from the rich dark… More»

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Posted in Gardens and Architecture, Getty Center

Winter in the Central Garden

Foliage of Eschscholzia california in the rain in the Central Garden at the Getty Center

The Getty’s outdoor spaces are never more beautiful than in the colder months. More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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