installation

Posted in Art, Getty Research Institute, Photographs, Film, and Video

An Agnès Varda Moment for L.A.

Viva! – Rado – Ragni in LIONS LOVE (…AND LIES), Agnès Varda, 1968. © Max Raab/Agnès Varda
Viva! – Rado – Ragni in LIONS LOVE (…AND LIES), Agnès Varda, 1968. © Max Raab/Agnès Varda

Speaking at the Getty this weekend, the centerpiece of a new LACMA show, and guest artistic director at the AFI Fest—all at age 85. More»

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Posted in Ancient World, Behind the Scenes, Exhibitions and Installations

Why the Cyrus Cylinder Matters Today

The Cyrus Cylinder as installed at the Getty Villa
The Cyrus Cylinder, Achaemenid, after 539 B.C. Terracotta, 22.9 x 10 cm. The British Museum

Why is this small cylinder of baked clay so famous around the world? More»

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Posted in Ancient World, Behind the Scenes, Getty Villa

Five-Ton Wheel Takes Center Stage for “Prometheus Bound”

WHEELshot

A five-ton steel wheel has craned into the Getty Villa for this fall’s outdoor theater production. More»

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Posted in Ancient World, Antiquities, Exhibitions and Installations, Getty Villa, J. Paul Getty Museum

An Ancient Curse Revealed

Curse Tablet / found in Morgantina, Sicily
Curse Tablet, about 100 B.C., found in Morgantina, Sicily. Lead, 3 11/16 x 1 13/16 in. (9.4 x 4.6 cm). Museo Archeologico Regionale of Aidone

One small but powerful object stands out among the artifacts excavated from the ancient city of Morgantina in central Sicily, now on loan to the Getty Villa from the Museo Archeologico Regionale of Aidone and on view in Gallery 104…. More»

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Posted in Ancient World, Antiquities, Getty Villa, J. Paul Getty Museum, Sculpture and Decorative Arts

Seven Ways of Seeing “Lion Attacking a Horse”

Lion Attacking a Horse / Greek
Lion Attacking a Horse, Greek, 325–300 B.C.; restored in Rome in 1594. Marble, 150 x 250 cm. Sovraintendenza ai Beni Culturali di Roma Capitale—Musei Capitolini

In August, the Greek sculpture Lion Attacking a Horse flew over the back wall of the Getty Villa and took up residence in our Atrium. We have now lived with the sculpture for over three months, and are already lamenting… More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum

A New Installation of 18th-Century Terracottas and Marbles

Overview of South Atrium

The sculpture and decorative arts galleries in the West Pavilion, redesigned in August 2010, highlight the objects well—so well, in fact, that I bet no one has noticed that seven sculptures once in the West Pavilion have been off view… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Drawings by Contemporaries of Gustav Klimt in W104

Study for Poster: Fruit / Mucha
Study for the poster Fruit, 1897, Alphonse Mucha. Pastel, 25 9/16 x 15 3/8 in. Lent by Eva and Brian Sweeney

The West Pavilion of the Getty Center contains a surprise, the cabinet-like space known as Gallery W104. For the past three years, W104 has hosted a changing display of drawings and watercolors related to exhibitions nearby—most often, the one just… More»

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Posted in Ancient World, Antiquities, Behind the Scenes, Getty Villa, Sculpture and Decorative Arts

Installing “Lion Attacking a Horse” at the Getty Villa

Lionsculpture_lg
Sovraintendenza ai Beni Culturali di Roma Capitale—Musei Capitolini

The massive sculpture of a Lion Attacking a Horse hasn’t left Rome in over 2,000 years, but it feels right at home sitting in the Atrium of the Getty Villa. The giant marble, on loan through January 2013 as part… More»

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Posted in Art, J. Paul Getty Museum, Paintings

The Italian Comedians Go on View in Elegant Company

The Italian Comedians / Antoine Watteau

The Getty Museum’s most recent painting acquisition, Jean-Antoine Watteau’s The Italian Comedians, is now on view at the Getty Center. It’s installed in Gallery S202 with an array of other 18th-century paintings in the collection, including one by Nicolas Lancret…. More»

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Posted in Architecture and Design, Behind the Scenes, Exhibitions and Installations, Getty Villa

Career Profile: Davina Wolter, Designer

Davina Wolter, setting up The Belles Heures of the Duke of Berry exhibition.

What do you do at the Getty? I’m a designer. My work includes graphics, or 2-D design, as well as 3-D design-such as furniture, interiors, and architectural drawing. Our department, Design, is unique for a cultural institution because we create… More»

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      Millais called this painting “the picture with the dreadful blue-and-white page in the corner.” Do you agree? 

      The Ransom, 1860 - 1862, John Everett Millais. J. Paul Getty Museum.

      07/29/14

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