
One small but powerful object stands out among the artifacts excavated from the ancient city of Morgantina in central Sicily, now on loan to the Getty Villa from the Museo Archeologico Regionale of Aidone and on view in Gallery 104…. More»

One small but powerful object stands out among the artifacts excavated from the ancient city of Morgantina in central Sicily, now on loan to the Getty Villa from the Museo Archeologico Regionale of Aidone and on view in Gallery 104…. More»

In August, the Greek sculpture Lion Attacking a Horse flew over the back wall of the Getty Villa and took up residence in our Atrium. We have now lived with the sculpture for over three months, and are already lamenting… More»
The sculpture and decorative arts galleries in the West Pavilion, redesigned in August 2010, highlight the objects well—so well, in fact, that I bet no one has noticed that seven sculptures once in the West Pavilion have been off view… More»

The West Pavilion of the Getty Center contains a surprise, the cabinet-like space known as Gallery W104. For the past three years, W104 has hosted a changing display of drawings and watercolors related to exhibitions nearby—most often, the one just… More»
The massive sculpture of a Lion Attacking a Horse hasn’t left Rome in over 2,000 years, but it feels right at home sitting in the Atrium of the Getty Villa. The giant marble, on loan through January 2013 as part… More»
The Getty Museum’s most recent painting acquisition, Jean-Antoine Watteau’s The Italian Comedians, is now on view at the Getty Center. It’s installed in Gallery S202 with an array of other 18th-century paintings in the collection, including one by Nicolas Lancret…. More»
What do you do at the Getty? I’m a designer. My work includes graphics, or 2-D design, as well as 3-D design-such as furniture, interiors, and architectural drawing. Our department, Design, is unique for a cultural institution because we create… More»
Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition go,… More»
More than any other exhibition I’ve worked on, Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention feels historic. To stand there as the crate containing Leonardo’s painting of Saint Jerome from the Vatican was opened, to imagine… More»
Objects you see in the galleries at the Getty Villa, whether monumental or miniature, weighing a few ounces or several tons, all require careful and complicated work to install. As a conservation mount maker, I’ve just finished working with my… More»