installation

Posted in Architecture and Design, Behind the Scenes, Exhibitions and Installations, Getty Villa

Career Profile: Davina Wolter, Designer

Davina Wolter, setting up The Belles Heures of the Duke of Berry exhibition.

What do you do at the Getty? I’m a designer. My work includes graphics, or 2-D design, as well as 3-D design-such as furniture, interiors, and architectural drawing. Our department, Design, is unique for a cultural institution because we create… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Sculpture and Decorative Arts

Seven Things I Learned from “Leonardo da Vinci and the Art of Sculpture”

Banners for Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention at the Getty Center

Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition go,… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Center, J. Paul Getty Museum, Prints and Drawings, Sculpture and Decorative Arts

Welcoming Leonardo to L.A.

leonardo_install_2

More than any other exhibition I’ve worked on, Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention feels historic. To stand there as the crate containing Leonardo’s painting of Saint Jerome from the Vatican was opened, to imagine… More»

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Posted in Antiquities, Behind the Scenes, Conservation, Exhibitions and Installations, Getty Villa

How Do You Move an Aztec Deity? Very Carefully!

Installing The Aztec Pantheon and the Art of Empire

Objects you see in the galleries at the Getty Villa, whether monumental or miniature, weighing a few ounces or several tons, all require careful and complicated work to install. As a conservation mount maker, I’ve just finished working with my… More»

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Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

The Thrills (and Terrors) of Installing an Exhibition

Installing Leonardo and the Art of Sculpture
Chain in hand, I help out during the heavy lifting.

Wednesday, March 17, 9:50 a.m. That’s it. I’ve just walked the last courier to the South Gate shuttle point and said good-bye, and am going back to the museum. There’s a delicious smell coming from the wisteria, and the sky… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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