Johann Caspar Lavater

Posted in Exhibitions and Installations, Getty Research Institute, J. Paul Getty Museum, Sculpture and Decorative Arts

Physiognomy, The Beautiful Pseudoscience

Untitled / Ken Gonzales-Day

What do the expressions “highbrow” and “lowbrow” have in common with saying a woman has “mousey” features? What does Homer Simpson have to do with photographs of sculpture in profile by contemporary artist Ken Gonzales-Day? All are contemporary manifestations of… More»

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      gettypubs:

      ULTRAMARINE

      The vibrant blue in the above image of Saint George and the Dragon (Master of Buillebert de Mets, about 1450-55) still looks remarkably vivid to modern eyes, but to medieval readers it wouldn’t have just looked eye-catching—it would have looked expensive. Why? Because this particular blue pigment (ultramarine) required lapis lazuli, like the carved stone above (Roman, second century AD). For centuries all lapis was sourced from a single mountain range in Afghanistan, meaning that a French medieval manuscript with the color required a lot of financial resources! 

      For more on ultramarine and other shades of blue, check out The Brilliant History of Color in Art.

      Both objects are from the collection of the J. Paul Getty Museum.

      11/24/14

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