Johann Paul Schor

Posted in Art, Getty Research Institute, Research

The Display of Art in Roman Palaces

Section of a Palace with Carriage, Andrea Francesco Nicoletti, 1709 (?), pen and black ink with watercolor. Gabinetto Comunale delle Stampe, Rome

At a time when we’re accustomed to viewing art in museums—and often in galleries that more or less resemble a white cube—it’s worth thinking back a few centuries to the way many of the paintings and objects in collections like… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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