John Mason

Posted in Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Pacific Standard Time Takes Berlin

PSTinBerlin: The Martin-Gropius-Bau in Berlin, with the Kunst in Los Angeles banner flying high

Pacific Standard Time officially ended in Los Angeles on March 31, but it continues nearly 6,000 miles away in Berlin. Pacific Standard Time: Kunst in Los Angeles 1950–1980 opened at the Martin-Gropius-Bau in Berlin on March 15th. With double the… More»

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Posted in Behind the Scenes, J. Paul Getty Museum

In Studio: John Mason

Artist John Mason in his studio, January 8, 2012

On January 8 sculptor John Mason opened his studio and shared insights into his creative process with us and a group of eager participants. The event was part of “In Studio,” a program we in the Museum’s Education Department organized… More»

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Posted in Exhibitions and Installations, Getty Center, Getty Research Institute, J. Paul Getty Museum, Paintings, Sculpture and Decorative Arts

A Walk through “Pacific Standard Time: Crosscurrents,” Opening This Weekend

Inside Crosscurrents: Helen Lundeberg's canvas Blue Planet with John Mason's sculptures Vertical Sculpture, Spear Form and Orange Cross

In the ocean, a crosscurrent runs across the main flow, stirring things up. Similarly, you can see different artistic movements, crossing each other from a variety of directions, in the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture,… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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