Korea

Posted in Art, Behind the Scenes, Exhibitions and Installations

Korean Cooking, the Authentic Fusion Way

Korean cooking at the Getty

Getty chef Mayet Cristobal worked with volunteers from the Korean Cultural Center to create an authentic-fusion menu. More»

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Posted in Art, Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Voices

Getty Voices: Looking East, Looking West

Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park
Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park

“Looking East” established a platform for international dialogue around art, history, and cultural exchange. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Pointing East, Thinking West: Felice Beato’s Photographic View

Interior of the Sikh Temple with Marble Mosaic, Felice Beato (British, born Italy, 1832–1909), negative, 1858; print 1862. Printed by Henry Hering. The J. Paul Getty Museum, 84.XM.475.7

Whether he planted his tripod in India, China, Japan, Korea, or Burma, the Italian-born photographer Felice Beato always portrayed a country’s culture through a distinctly Western lens. The Museum’s current exhibition of his work, Felice Beato: A Photographer on the… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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