L.A. events

Posted in Getty360

Introducing Getty360

Getty360

Find exhibitions and events at a glance with Getty360, launched today. More»

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Posted in Architecture and Design, Behind the Scenes, Getty Research Institute, Voices

Getty Voices: Our L.A.

Getty Voices: Lyra Kilston's L.A. map
My L.A.: My life mapped on the landscape.

Did you walk through Overdrive and see part of your story? What are your junctions of place and history? What buildings reflect a bit of who you are? More»

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Posted in Education, J. Paul Getty Museum

Will the Real Los Angeles Please Stand Up?

Reed Johnson (moderator) with, from left, filmmakers Thom Andersen and William Friedkin and film critics Richard Schickel and Kenneth Turan

Impersonal concrete sprawl. A surfer’s paradise. A dark battleground of grisly crimes. Los Angeles is a regular character in the movies, on TV, in books, and in art, but its identities are as numerous as its roles. The recent conference… More»

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Posted in Behind the Scenes, Getty Research Institute

The 5th Annual Archives Bazaar

The 5th Annual Archives Bazaar was held at the Doheny Memorial Library at USC. Photo: Michael Castro

On Saturday, October 23, the Getty Research Institute participated in the 5th Annual Archives Bazaar. Organized by L.A. as Subject, a USC-hosted research alliance dedicated to improving the visibility, access, and prese­rvation of primary sources of Los Angeles history, the… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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