Lamberto Pignotti

Posted in Art, Getty Research Institute

Treasures from the Vault: Italian Artists’ Books

Books by Maurizio Nannucci. Top: Medium is word, 1975. Keleidoscope in a wooden box with a sliding top, 32 x 8 cm. Bottom: Museum of Modern Art, no. 15/30, 1983. Keychain inside a wooden box featuring a floor plan for a "Museum of Modern Art.” 7.3 x 10.8 cm. The Getty Research Institute, 890164, box 201 © Maurizio Nannucci
Books by Maurizio Nannucci. Top: Medium is word, 1975. Keleidoscope in a wooden box with a sliding top, 32 x 8 cm. Bottom: Museum of Modern Art, no. 15/30, 1983. Keychain inside a wooden box featuring a floor plan for a "Museum of Modern Art.” 7.3 x 10.8 cm. The Getty Research Institute, 890164, box 201 © Maurizio Nannucci
Saturday is the final day for the Santa Monica Museum of Art’s exhibition Libro/Oggetto: Italian Artists’ Books, 1960s–Now, a look at Italian artists’ books from the main art movements and trends of the second half of the 20th century. It... More»
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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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