It’s one thing to see a writer read her own work, but when someone else gets their hands on it, the fluid dynamic between story and storyteller is revealed. How much is the reader outside of the story, telling it… More»
The idealized countryside painted by a native city dweller.
This light and color study wasn’t meant for exhibition, but rather was a way for Corot to explore his new scenery outside of the studio.
Houses near Orleans, about 1830, Jean-Baptiste-Camille Corot. J. Paul Getty Museum.