light damage

Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

Seeing Artwork in a New Light

Getty Conservation Institute scientist Jim Druzik holding one of several filters being evaluated for use in conservation lighting.

Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior scientist… More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

Accelerated Aging Lab: The Scariest Place at the Getty?

Inside the Accelerated Aging Lab: tools for studying rock and mortar. The machine that looks like an industrial Kitchenaid is, in fact, a Kitchenaid—it’s used for mixing lime putty and mortars.

For those of us over 21, the idea of premature aging is definitely not attractive. Every time I pass the Getty Conservation Institute’s Accelerated Aging Lab, I get somewhat apprehensive. But the lab is not intent on hastening wrinkles and… More»

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      Eye-to-eye with a mystery man.

      He closely resembles painter Francois Boucher, whose eyes rendered paintings like this one

      In 18th century France, terracotta busts were popular additions to the home as they were relatively inexpensive, and fit for both middle class and wealthy consumers.

      See the full picture here.

      Eye-to-eye connects the peoples of yesterday to you through art.

      Bust of a Man, about 1760, Attributed to Jean-Jacques Caffieri. J. Paul Getty Museum.

      10/01/14

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