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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Day Without Art: Robert Mapplethorpe and His Artistic Shift

Self-Portrait / Robert Mapplethorpe
Self-Portrait, 1988, Robert Mapplethorpe. Platinum print, 23 1/8 x 19 in. Jointly acquired by The J. Paul Getty Trust and the Los Angeles County Museum of Art. Partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by The J. Paul Getty Trust and the David Geffen Foundation. © Robert Mapplethorpe Foundation

December 1, 2012, marks the 24th year that museums and other art organizations have observed Day With(out) Art in order to raise awareness about the AIDS epidemic. Although medical advances in the treatment of HIV/AIDS have improved the lives of… More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Day Without Art: A Time to Ask, “What If…?”

Tatjana, Veiled Head, Joshua Tree / Herb Ritts

A few months ago, I attended a conversation at the Annenberg Space for Photography on Herb Ritts. Next April, the Getty Museum will present a major exhibition on Ritts, a photographer known for his iconic images of celebrities and models… More»

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Posted in Art, J. Paul Getty Museum

Day Without Art: Reflecting on Art, Fragility, and Loss

Gravestone of Sime, Greek, about 320 B.C.

The frailty of the human condition—and the cruelty of untimely loss of life—is one of art’s oldest and most enduring themes. Every year on December 1, we’ve reflected on this theme for Day Without Art, an international day of observance… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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