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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Day Without Art: Robert Mapplethorpe and His Artistic Shift

Self-Portrait / Robert Mapplethorpe
Self-Portrait, 1988, Robert Mapplethorpe. Platinum print, 23 1/8 x 19 in. Jointly acquired by The J. Paul Getty Trust and the Los Angeles County Museum of Art. Partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by The J. Paul Getty Trust and the David Geffen Foundation. © Robert Mapplethorpe Foundation

December 1, 2012, marks the 24th year that museums and other art organizations have observed Day With(out) Art in order to raise awareness about the AIDS epidemic. Although medical advances in the treatment of HIV/AIDS have improved the lives of… More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Day Without Art: A Time to Ask, “What If…?”

Tatjana, Veiled Head, Joshua Tree / Herb Ritts

A few months ago, I attended a conversation at the Annenberg Space for Photography on Herb Ritts. Next April, the Getty Museum will present a major exhibition on Ritts, a photographer known for his iconic images of celebrities and models… More»

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Posted in Art, J. Paul Getty Museum

Day Without Art: Reflecting on Art, Fragility, and Loss

Gravestone of Sime, Greek, about 320 B.C.

The frailty of the human condition—and the cruelty of untimely loss of life—is one of art’s oldest and most enduring themes. Every year on December 1, we’ve reflected on this theme for Day Without Art, an international day of observance… More»

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      Vermeer’s interiors make possible a sort of encounter in which the painting completely disappears in the viewing, and the viewer is what is seen into, and this is the key to Vermeer’s true design and the source of his work’s mystery.“

      —poet Michael White

      The Milkmaid, ca, 1660. Rijksmuseum, Amsterdam

      Woman Reading a Letter, ca. 1663. Rijksmuseum, Amsterdam

      Young Woman with a Water Pitcher, ca. 1662. The Metropolitan Museum of Art, Marquand Collection, Gift of Henry G. Marquand, 1889. www.metmuseum.org

      03/28/15

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