Mathis Collins

Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

Also tagged , , , , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      A courtly strut along a winding path. 

      The decorated border reveals perhaps a C, an X, and a Y. It’s difficult to make out, but these initials likely hold the key to the manuscript’s unknown patron.

      #NowOnView in the new rotation of Chivalry in the Middle Ages

      Young Men and Women Outdoors, about 1460 - 1470, French. J. Paul Getty Museum.

      09/22/14

  • Flickr