Mathis Collins

Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

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      I think it’s very important for museums to do more with children, so that the next generation is interested. Make it fun.

      Something like a playground. A big, artsy playground.

      Polina (@pollyshot), July 14, 2014.

      07/27/14

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