We continue our look at intriguing but lesser-known works from the Getty’s collection with two more off-the-beaten-path tips from Museum educators. In a previous post we looked at three relief sculptures; now we turn to two lovingly detailed paintings that… More»
Prud’hon preferred to draw with powdery applications of black and white chalk on blue or gray paper. Instead of using line, he created contours through stumping and built form through gradations of light.
Head of a Woman: Study for “The Happy Mother," 1810, Pierre-Paul Prud"hon. J. Paul Getty Museum.