mission

Posted in Behind the Scenes, Getty Conservation Institute, Getty Foundation, Getty Research Institute, J. Paul Getty Museum, J. Paul Getty Trust

Reflections on My First Days at the Getty—And What’s Next

Jack Brogan, fabricator, and Rani Singh of the Getty Research Institute inspect De Wain Valentine's Red Concave Circle in Brogan's studio in Inglewood, California, June 17, 2011

The J. Paul Getty Trust is an extraordinary arts institution. That I knew before coming to work at the Getty this week as its president and CEO. What I didn’t know—couldn’t know until I became a full part of this organization—was… More»

Also tagged , , , , 2 Responses
Posted in Behind the Scenes, Paintings

Getty Up! Welcome to the Getty’s New Blog

Irises, Vincent van Gogh, 1889

The Iris is a reference to the Getty Museum’s best-known painting: Irises by Vincent van Gogh. That painting is surrounded by knots of visitors most of the time; it’s behind glass because so many people want to reach out and… More»

Also tagged , , 6 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

  • Flickr