Monticello

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Drawing That Once Hung in Thomas Jefferson’s Parlor

The Fright of Astyanax (Hector Bidding Farewell to Andromache), Benjamin West, 1797. The J. Paul Getty Museum, 84.GG.722
The Fright of Astyanax (Hector Bidding Farewell to Andromache), Benjamin West, 1797. The J. Paul Getty Museum, 84.GG.722

An American has slipped his way into exclusive British company—the exhibition Luminous Paper: British Watercolors and Drawings, opening July 19. Owned for years by Thomas Jefferson, admirer of all things classical, this pen-and-ink by Pennsylvania-born artist Benjamin West depicts a… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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