Tokyo Drifter, screening this weekend, “smacks you in the face with a bucket of WTF paint.” More»
movies
Neon Hitmen
Whispers and Shadows: Ray K. Metzker and “Street Noir”
“I imagine the people in Metzker’s photographs as supporting characters in a film noir—captured on an average day, precisely at the loneliest moment before the cruel twist of fate takes hold.” More»
Christmas Adventures, from Silver Screen to Gilded Page

I love Christmas movies, from the moment when Natalie Wood is stunned by Santa Claus speaking Dutch in Miracle on 34th Street to Rudolph setting off with Hermey the dentist in Rudolph the Red-Nosed Reindeer. One of my other great… More»
Portraits of Brute and Brood
“Never allow yourself to feel anything, because you always feel too much.” —Marlon Brando “Only the gentle are ever really strong.” —James Dean Beyond fitting, this weekend’s concluding film series What Becomes a Legend offers the increasingly rare opportunity to… More»
World War Zinnemann
From Casablanca to Saving Private Ryan, the horrors and heroisms of World War II have provided decades of cinematic material. However, as director Fred Zinnemann masterfully demonstrated, meticulous exploration of the human experience—both immediately before the war (The Seventh Cross,… More»
L.A.’s Cinematic Experiment, Then and Now
Los Angeles is known as a Hollywood town, but our film scene has always been about more than stars and blockbusters. Throughout the Pacific Standard Time era, experimental cinema screened across town and played a major role in the art… More»
Cocteau Dreams, In Nitrate
“One of the characteristics of the dream is that nothing surprises us in it. With no regret, we agree to live in it with strangers, completely cut off from our habits and friends.”―Jean Cocteau We’re offering an array of films… More»
Abstract Films from the 1920s: Making Rhythm Visible
Berlin, circa 1921: The painter Hans Richter turns his talents to film and produces one of the earliest abstract films, Rhythmus 21. Clocking in at just over three minutes, it’s a significant departure from the newsreels, romances, cliff-hangers, and penny-dreadfuls… More»
Havana Mon Amour
This weekend, we’re screening a four-part film series, Soy Cuba!, that offers a brutal and beautiful look at Cuba through different perspectives in the 1960s (and one from 1959 with Our Man in Havana), a time of great transition and… More»










