MUI interviews

Posted in Education, Getty Foundation, Philanthropy

From Getty Intern to Arts Professional: Museum Educator Jennifer Reid

Jennifer Reid at LACMA in 2012

In 2006, Jennifer Reid participated in the Getty Foundation’s Multicultural Undergraduate Internship program with an internship in the Education department of the J. Paul Getty Museum. Fast-forward six years, and Jennifer is still working in museum education, but now at the… More»

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Posted in Architecture and Design, Getty Foundation, Philanthropy

From Getty Intern to Arts Professional: Preservation Planner Edgar Garcia

MUI alumnus Edgar Garcia at Los Angeles City Hall

When Edgar Garcia participated in the Getty Foundation’s Multicultural Undergraduate Internship program in 1999 with a position at the Los Angeles Conservancy, little did he think his supervisor would become his boss at a different organization several years later. But… More»

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Posted in Behind the Scenes, Getty Foundation, Getty Research Institute, Philanthropy

From Getty Intern to Arts Professional: Art Historian Jessica Maxwell

Jessica Maxwell
Jessica Maxwell, an alumna of the Getty Multicultural Undergraduate Internship program, at Princeton University in 2012

In 2004, Jessica Maxwell participated in the Getty Foundation’s Multicultural Undergraduate Internship program with an internship at the Getty Research Institute. She had such a great experience that she applied again the following summer, interning at the arts nonprofit LACE… More»

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Posted in Behind the Scenes, Getty Foundation, Philanthropy

From Getty Intern to Arts Professional: Museum Curator Josh Yiu

Curator Josh Yiu at the Seattle Art Museum

This summer the Getty Foundation’s Multicultural Undergraduate Internship program is celebrating 20 years of supporting internships at arts organizations across L.A. County. Started  in response to our city’s civil unrest in the early 90s, the program aims to increase diversity within… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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