museum conservation

Posted in Art, Behind the Scenes, Conservation, Getty Conservation Institute, Getty Research Institute, J. Paul Getty Museum, Sculpture and Decorative Arts

Conserving Lichtenstein’s “Three Brushstrokes”

Three Brushstrokes.  Copyright Estate of Roy Lichtenstein.  Gift of Fran and Ray Stark.
Three Brushstrokes. Copyright Estate of Roy Lichtenstein. Gift of Fran and Ray Stark.

A long lively stroke of deep brilliant blue, black, and white, a curved swipe of muted yellow, a short dab of red—perhaps you’ve seen artist Roy Lichtenstein’s colorful painted aluminum sculpture Three Brushstrokes on a visit to the Getty Center…. More»

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Posted in Antiquities, Behind the Scenes, Conservation, Getty Villa, J. Paul Getty Museum

Forensic Techniques Illuminate a New Acquisition

Oil jar (lekythos) with a funerary scene, attributed to the Achilles Painter, Greek, made in Athens, about 435–430 B.C. Terracotta, 17 3/4 in high x 5 5/16 in. diam. The J. Paul Getty Museum, 2011.14

The recently acquired white-ground lekythos on display in Women and Children in Antiquity (Gallery 207) at the Getty Villa is a handsome addition to the Museum’s antiquities collection. With its narrow neck and cylindrical body, this popular type of vase… More»

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Posted in Behind the Scenes, Conservation, Getty Villa, J. Paul Getty Museum

Agrigento Youth Returns to Italy on a Pedestal—A Very High-Tech One

The Agrigento Youth being fitted onto its new pedestals by conservators and mount makers at the Getty Villa

Centuries ago, a marble sculpture known as the Agrigento Youth took a violent fall, losing his nose and parts of his arms and legs. The cause? Likely an earthquake. The statue, loaned to us by the Museo Archeologico Regionale in… More»

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Posted in Art, Behind the Scenes, Conservation, Exhibitions and Installations, Paintings

Behind the Scenes with J.M.W. Turner’s “Modern Rome”

framing_a_masterpiece

How long does it take to install a painting in the Museum, from loading dock to gallery wall? For J.M.W. Turner’s Modern Rome—Campo Vaccino, the answer is seven days: really busy days, with lots of people working together to make… More»

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Posted in Antiquities, Behind the Scenes, Conservation, Exhibitions and Installations, Getty Villa, J. Paul Getty Museum

Apollo’s Drapery: An Unfolding Puzzle

Antiquities conservator Erik Risser working on the Apollo’s drapery in the Conservation Studio at the Getty Villa

A new exhibition opening at the Getty Villa, Apollo from Pompeii: Investigating an Ancient Bronze, marks the completion of an 18-month conservation project that developed in collaboration with the Museo Archeologico Nazionale in Naples. The exhibition presents the different aspects… More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Drawing the Line: Conserving Master Drawings with a Light Touch

Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.
Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.

The intriguing exhibition The Secret Life of Drawings—closing this Sunday at the Getty Center—unveils hidden clues to unfinished works on paper, undiscovered sketches, and details of the artist’s craft. It also reveals that making damaged art look presentable can be… More»

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      …”the clarity of the cold carnation of old skin, the creases of the smile, the folds made by the passage of time; the powerful pleating of the forehead…”

      The detail of his wrinkles, blood vessels, and moles is a realistic rendering uncommon in formal portraiture of the time. This was made by a friend.

      Portrait of Louis de Silvestre, about 1753, Maurice-Quentin de la Tour. J. Paul Getty Museum.

      08/31/14

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