New Year’s Eve

Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

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      That Natural Grace

      In the late 1700s, “natural grace” was greatly admired. It meant strictly following etiquette while making it seem easy and effortless.

      Thomas Gainsborough’s Lady Walking in a Garden is, among other things, about fashion’s pivotal role in this delicate social task. The more complicated the dress, the more impractical for walking, the more difficult it was to wear it with elegance and nonchalance—and the more admirable if one succeeded in displaying natural grace.

      Walk, Look, and Learn


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