New Year’s Eve

Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

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      Eye-to-eye with a devotional painting of Christ.

      This haunting and intimate portrait of Christ is both dramatic and spiritual. Less than a foot high, the panel was made for private use.

      See the full picture here.

       Eye-to-eye connects the peoples of yesterday to you through art.

      10/22/14

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