Pacific Standard Time Presents

Posted in Architecture and Design, Behind the Scenes, Conservation, Getty Research Institute

Conserving Architectural Models: Behind the Scenes in the Research Institute Conservation Lab

Tom Learner and Juliane Wattig, working on an architectural model
Photo: Scott S. Warren

How are architectural models conserved? A look at the field, and two displayed in “Overdrive.” More»

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Posted in Architecture and Design

Unearthing ‘70s Architecture in L.A.

Cesar Pelli's Pacific Design Center
Kent Kanouse on Flickr, CC BY-NC 2.0

The 1970s are the “missing years” of L.A.’s architectural history. A reappraisal. More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

Architecture Critic Paul Goldberger Advises “Don’t Squeeze Out All the Fresh Air”

Paul Goldberger
Paul Goldberger

“We’re much more sensitive in general to historic buildings than we once were.” How to move forward while preserving the past. More»

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Posted in Architecture and Design, Behind the Scenes, Getty Research Institute, Voices

Getty Voices: Our L.A.

Getty Voices: Lyra Kilston's L.A. map
My L.A.: My life mapped on the landscape.

Did you walk through Overdrive and see part of your story? What are your junctions of place and history? What buildings reflect a bit of who you are? More»

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Posted in Architecture and Design

Finding Beauty in L.A.’s Visual Clutter

South Broadway in downtown L.A.
But is it architecture? The palimpsests at street level better fit a community definition of architecture than the skyscrapers behind, says Greg Goldin. Photo: S. Broadway by Xavier de Jauréguiberry on Flickr, CC BY-NC-ND 2.0

Hulking public works and messy storefronts are the essence of L.A. architecture. Here’s why you should love them. More»

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Posted in Architecture and Design

Long Live Tiki, the Whimsical Soul of Midcentury Modern

3505 Artesia Blvd. in Some Los Angeles Apartments / Ed Ruscha
© Ed Ruscha

Tiki is the style that refuses to die, and its endurance tells us something about Southern California design. More»

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Posted in Architecture and Design, Exhibitions and Installations, Getty Foundation, Philanthropy

L.A.’s Modern Architecture Gets Its Due with “Pacific Standard Time Presents”

Pacific Standard Time Presents: Modern Architecture in L.A.

Taking one’s own city for granted is perhaps not uncommon, but next spring Angelenos will have a fresh lens through which to reconsider our recent past with Pacific Standard Time Presents: Modern Architecture in L.A. Announced just a few weeks… More»

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Posted in Architecture and Design, Getty Foundation, Philanthropy

New SCI-Arc Media Archive Allows Forward-Oriented Institution to Look Back

Frank O. Gehry from the SCI-Arc Media Archive

On an elegant white background, I see familiar faces, many of whom are much younger and in their prime: Charles and Ray Eames in black and white; a dark-haired, mustachioed Frank Gehry; and Reyner Banham, the keen observer of early-1970s… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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