pastel portraits

Posted in Art, J. Paul Getty Museum, Prints and Drawings

Father-and-Daughter Pastels by William Hoare Now on View

Henry Hoare, "The Magnificent," of Stourhead; Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury
L: Henry Hoare, “The Magnificent,” of Stourhead, about 1750–1760, William Hoare. R: Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury, about 1750–1760, William Hoare

Newly acquired portraits tell the unusual story of British banking heir Henry Hoare and the artist who depicted him. More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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