performing arts

Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Power in Puppetry

Jenny Greer with a puppet from Tungsten (artery)
Jenny Greer, the voice of Cora

Ancient myth comes to life through the craft of puppetry. More»

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Posted in Art, Behind the Scenes

Dancing Yvonne Rainer

Performance of Yvonne Rainer's Assisted Living: Good Sports 2 at DIA Beacon
Photo © Paula Court

Cerebral, challenging, enrapturing. What does it feel like to perform Yvonne Rainer’s work? More»

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Posted in Art

19 Ways to Be Part of the Arts on #GivingTuesday

Visitors at the Sketching Gallery at the Getty Center
One good way to support art: make some!

In celebration of Giving Tuesday, a list of simple ideas to get involved in the arts—and receive even more back. More»

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Posted in Behind the Scenes, Education, J. Paul Getty Museum

Dancing with Degas: New Curriculum Brings Art and Movement into the Classroom

Dancing with Degas - Curriculum premiere at the Getty Center
Dancing with Degas - Curriculum premiere at the Getty Center

As a fourth-grade teacher, I take every opportunity to integrate art into the classroom. So when I was asked to be on the Teacher Advisory Group for the new Performing Arts in Art curriculum for K–12 teachers, I was thrilled…. More»

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      The Queen Who Wasn’t

      Louis XIV clandestinely wed his mistress, Madame de Maintenon, at Versailles on October 9 or 10, 1683. The marriage was much gossiped about but never openly acknowledged. She was never queen.

      Madame de Maintenon had been the {judgy} governess to Louis XIV’s children by his previous mistress, Madame de Montespan. Louis gave these children moneyed titles—such as the comte de Toulouse, who ordered the tapestries shown here for his residence outside Paris.

      Louis’s secret marriage ushered in a period of religious fervor, in sharp contrast to the light-hearted character of his early reign. Madame de Maintenon was known for her Catholic piety, and founded a school for the education of impoverished noble girls at Saint-Cyr in 1686 that stayed in operation until 1793. This engraving of the Virgin and Child was dedicated to her by the king.

      Virgin and Child, late 1600s, Jean-Louis Roullet after Pierre Mignard; Johann Ulrich Stapf, engraver. The Getty Research Institute. Tapestries from the Emperor of China series. The J. Paul Getty Museum


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