photographs

Posted in J. Paul Getty Museum, Miscellaneous, Photographs, Film, and Video

This Is How Fun Looked in the 1850s

The Billiard Room, Mentmore House / Roger Fenton
The Billiard Room, Mentmore House, about 1858, Roger Fenton. Albumen silver print, 11 15/16 x 12 1/16 in. The J. Paul Getty Museum, 2001.27

There’s more to this game of billiards than meets the eye. More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Coming in 2016: Robert Mapplethorpe

Thomas / Mapplethorpe
Jointly acquired by the Los Angeles County Museum of Art, with funds provided by The David Geffen Foundation and The J. Paul Getty Trust. The J. Paul Getty Museum, 2011.7.31. © Robert Mapplethorpe Foundation

A major retrospective of the artist’s work is coming in March 2016. More»

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Posted in Getty Research Institute, Photographs, Film, and Video, Research

This Just In: The Shunk-Kender Archive

Harry Shunk (left) and Janos Kender in 1961
Harry Shunk (left) and János Kender in 1961 at a dinner for artist Lucio Fontana at La Coupole in Montparnasse, Paris. Photo: Shunk-Kender. The Getty Research Institute, 2014.R.20

The 20th-century art scene, told in photographs. More»

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Posted in Art, Photographs, Film, and Video

Larry Sultan’s Visions of Suburbia

Screen Shot 2014-12-23 at 2.53.57 PM

On Larry Sultan, intimacy, and photography. More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

This Just In: The Sublime in the Everyday

Cookie in the Snow, Seacoal Camp, Lynemouth, Northumberland / Chris Killip
"Cookie" in the Snow, Seacoal Camp, Lynemouth, Northumberland, 1985, Chris Killip. Gelatin silver print, 10 7/8 x 13 3/8 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.25.11. © Chris Killip

Chris Killip’s photographs depict hard-working people in a bleak yet visually stunning setting. More»

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Posted in Exhibitions and Installations, Photographs, Film, and Video

Minor White and Me

Minor White in Connecticut, 1973 / John J. Weiss
© jjweiss 1973/2014

“There was an interminable pause. Then Minor cleared his throat once more and asked, ‘When can you start?’” More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute, Voices

Portraits of Africa, from Colonization to E-Waste | Getty Voices

Triumph of the Will (FARDC Soldiers Demonstrate the Purpose of an Old Belgian Commando Training Structure at Rumangabo Military Base) / Richard Mosse
© Richard Mosse. Courtesy Jack Shainman Gallery

Richard Mosse and Pieter Hugo create arresting portraits that evoke Africa’s colonial past. More»

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Posted in Art, Education, Photographs, Film, and Video, Voices

Photographing with Abelardo Morell | Getty Voices

"How Tall Is It" - a photograph by Mark Twain Middle School 8th grader Ricki Todd
"How Tall Is It" - a photograph by Mark Twain Middle School 8th grader Ricki Todd

Students team up with Abelardo Morell to explore their world through the camera. More»

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Posted in Getty Research Institute, Photographs, Film, and Video

1850s Tehran Revealed in Rare Photographic Album

Tehran, Entrance to Golestan Palace / Luigi Pesce
Tehran, Entrance to Golestān Palace, 1850s, Luigi Pesce. Albumen print in Album fotografico della Persia, 7 1/2 x 9 5/16 in. The Getty Research Institute, 2012.R.18, no. 2

“The album narrates multiple stories that together provide new insights into the rich history of Persia.” More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Miscellaneous, Photographs, Film, and Video

My Kid Could Shoot That!—Abelardo Morell’s Work from a Child’s Perspective

Laura and Brady in the Shadow of Our House / Abelardo Morell
Laura and Brady in the Shadow of Our House, 1994, Abelardo Morell

Artist Abelardo Morell set out early in his career to capture a series of images that display the menace and wonder of everyday objects as they appear to a child. More»

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    • photo from Tumblr

      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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