photographs

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Three Contemporary Photographers on Cuba

Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko
Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko

What drew them to Cuba? We asked photographers Alex Harris, Virginia Beahan, and Alexey Titarenko, whose work is featured in the exhibition A Revolutionary Project: Cuba from Walker Evans to Now, to talk about what took them to the island,… More»

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Posted in Exhibitions and Installations, Getty Villa, J. Paul Getty Museum, Photographs, Film, and Video

Traveling through Bible Lands: The Dream and the Reality (Audio)

Jacob's Well, near Shechem, Frank Mason Good (English, 1839–1928), 1860s. Albumen print, 6 1/8 x 8 1/8 in.

Begins with an introduction by Karol Wight, senior curator of antiquities. Audience Q&A follows. Running time: 59:04 | Download (MP3 file, 55.4 MB) For centuries, Americans and Europeans saw the lands of the Bible—known variously as Palestine, western Syria, and… More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video, Publications

Becoming Man Ray: Art, Life, and Paris

Untitled (Self Portrait with Pipe, Paris), Man Ray, 1921. The J. Paul Getty Museum, 97.XM.54.1

The mythology of artistic greatness tends to privilege the spark of creative genius over hard work, sacrifice, and experimentation. Traditionally, the biographies of famous artists have described naïve talents who achieved notoriety only after being fortuitously discovered. By contrast, Man… More»

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Posted in Getty Center, Getty Villa, Photographs, Film, and Video

Share Your Visit with Us on Flickr

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What inspires you to pull out your camera and take a photo? We love to see visitors capturing moments at the Getty Villa and the Getty Center to share with family and friends. If you have photos of your visit… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Seven Documentaries Inspired by Photojournalism

Kids + money: Megan, 11, and Ashley, 13, at their Calabasas home. Photograph by Lauren Greenfield/ INSTITUTE

“Witnesses in Action,” the documentary film series I curated earlier this month, followed the lenses of brave and talented photographers who took their cameras to far-flung locales. We started in mile-long factories in China, travelled to bizarre beached shipwrecks in… More»

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Posted in Getty Center, J. Paul Getty Museum, Photographs, Film, and Video

Friday Night: Susan Meiselas Discusses Her Work at the Getty Center

Traditional Indian dance mask adopted by the rebels during the fight against Somoza, Nicaragua, Susan Meiselas, negative 1978; print 1980s © Susan Meiselas / Magnum Photos
Photographer Susan Meiselas appears at the Getty Center this Friday evening to talk about her work and screen her 1991 film Pictures from a Revolution. Joining her to discuss the depiction of Latin America is Miguel Tinker Salas, professor of... More»
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Posted in Conservation, Getty Conservation Institute, Photographs, Film, and Video

Photographic History Smells Oh So Sweet

Le Cardinal d'Amboise, Joseph Nicéphore Niépce, (1765–1833), about 1826. Heliograph on pewter. The Royal Photographic Society Collection at National Media Museum
I’m always amazed when science can provide a new glimpse into the life and works of an artist who lived long before my time. It makes me feel closer to the artist’s intention to be able to understand how he or... More»
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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

A Seductive Still Life

Early American—Still Life with Steak, Sharon Core, 2008. Purchased with funds provided by the Photographs Council of the J. Paul Getty Museum, Los Angeles © Sharon Core
Greeting you as you enter the exhibition In Focus: Still Life are two beautiful photographs that incorporate dead animals in their compositions. Lorikeet with Green Cloth by Marian Drew includes a parrot on a plate, while Sharon Core’s portrait of... More»
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Posted in Photographs, Film, and Video

I Have a Dream

New York City from Black and White in America Leonard Freed, 1963.  © Leonard Freed / Magnum Photos, Inc.
One night when I was 10, I sat down to do some homework, reading a speech in my history book. It was just another day, just another assignment. But as I read this speech, I became confused and angry. Every... More»
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Posted in Getty Center, Photographs, Film, and Video

Photographic Magic with the Diana Camera

Diana camera
Photographer April Rocha sent us an excited e-mail a while ago, sharing her enthusiasm for the Diana camera, which she noticed was available at the Museum Store at the Getty Center. We asked her to tell us more, and she... More»
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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit idiosyncratic. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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