politics

Posted in Art, Photographs, Film, and Video

A New Walled Order?

Graffiti on the Berlin Wall reading, the world's too small for walls
Photo: Alexandra Novosseloff

Walls don’t work. So why do we keep building them? More»

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Posted in Ancient World, Antiquities, Art, J. Paul Getty Museum

Voting with the Ancient Greeks

Voting with psephoi in a scene from the Wine Cup with the Suicide of Ajax / Brygos Painter

This Greek wine cup from the 5th century B.C. offers one of the earliest depictions of voting in art. As the Trojan War rages, Greek chieftains are forced to choose between the competing claims of heroes Ajax and Odysseus to… More»

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Posted in Ancient World, Education, Getty Villa, J. Paul Getty Museum

Overpromise, Lie, and Other Questionable Political Advice from 64 B.C.

Portrait of Marcus Tullius Cicero with political campaign button

If Karl Rove had lived in ancient Rome, he might have written something like Commentariolum Petitiones, a down-and-dirty electioneering guide from 64 B.C. just published in English by Princeton University Press as How to Win an Election: An Ancient Guide for… More»

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Posted in Behind the Scenes, Getty Research Institute

Bodacious Buggerrilla Takes On Race, Class, and the 1%

Larry Broussard, DaShell Hart, Ed Bereal (in pig mask), and Bobby Farlice rehearse "Killer Joe" at the Getty Center

In South-Central in the ‘60s and ‘70s, everybody knew Bodacious Buggerrilla. The street theater group staged shocking and hilarious consciousness-raising skits at schools, churches, cafes, prisons, even Laundromats. Members of the group spoke with us before their recent appearance at… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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