Posted in Behind the Scenes, Exhibitions and Installations, Getty Foundation

Art Historians Share Progress on Exhibitions for Pacific Standard Time: LA/LA

Discussion panel during the Pacific Standard Time workshop at the Getty Center, October 2014
Discussion panel during the Pacific Standard Time: LA/LA workshop

Work is in full swing on dozens of Pacific Standard Time exhibitions slated for 2017. More»

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Posted in Architecture and Design, Art

Architecture as Art in Culver City


“Public art can contribute to defining a city’s identity and to unifying its vision,” and buildings contribute to this identity too! More»

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Posted in Architecture and Design, Behind the Scenes, Conservation, Getty Research Institute

Conserving Architectural Models: Behind the Scenes in the Research Institute Conservation Lab

Tom Learner and Juliane Wattig, working on an architectural model
Photo: Scott S. Warren

How are architectural models conserved? A look at the field, and two displayed in “Overdrive.” More»

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Posted in Architecture and Design, Exhibitions and Installations, Getty Research Institute, J. Paul Getty Museum

Subterranean L.A.: The Urban Oil Fields

Union 76 Refinery / Connell
Union 76 Refinery at Night, about 1950, Will Connell. Gelatin silver print, 18 1/4 x 23 1/4 x 1/4 in. Lent by Stephen White, Collection II. Artwork © Will Connell

Since the 1890s, Los Angeles has literally and figuratively been built upon acres of ancient oil deposits deep beneath its shifting surface. More»

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Posted in Architecture and Design, Voices

My L.A.: The Once and Future Golden Gate Theater


Hollow and in disrepair, it embodied the reason I wanted to leave Los Angeles. I was wrong. More»

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Posted in Architecture and Design, Voices

My L.A.: St. John’s Cathedral, Monument of Serenity

A Romanesque gem in West Adams, St. John's Episcopal Cathedral opened its doors in 1925. Photo: Kansas Sebastian, CC BY-NC-ND 2.0
Kansas Sebastian, CC BY-NC-ND 2.0

Though overshadowed by modern icons, beautifully crafted buildings like St. John’s are an important part of our architectural heritage. More»

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Posted in Architecture and Design, Voices

My L.A.: Learning to Love Baskin-Robbins

Burbank Baskin-Robbins ice cream store
Great architecture? Perhaps not. Community hub? Definitely.

What makes a building into a community gathering spot? Sometimes a nondescript exterior gives way to sugary goodness inside. More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

Architecture Critic Paul Goldberger Advises “Don’t Squeeze Out All the Fresh Air”

Paul Goldberger
Paul Goldberger

“We’re much more sensitive in general to historic buildings than we once were.” How to move forward while preserving the past. More»

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Posted in Architecture and Design, Exhibitions and Installations

Explore “Pacific Standard Time Presents: Modern Architecture in L.A.” on Newly Launched Website

Highways 5, 10, 60, and 101 Looking West, L.A. River and Downtown Beyond / Michael Light
Courtesy of and © Michael Light and Craig Krull Gallery, Santa Monica

Browse around L.A. faster than freeway travel (as if freeway travel is ever speedy). “Pacific Standard Time Presents” website sets new sights on how our city was made Modern. More»

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Posted in Architecture and Design, Getty Foundation, Philanthropy

New SCI-Arc Media Archive Allows Forward-Oriented Institution to Look Back

Frank O. Gehry from the SCI-Arc Media Archive

On an elegant white background, I see familiar faces, many of whom are much younger and in their prime: Charles and Ray Eames in black and white; a dark-haired, mustachioed Frank Gehry; and Reyner Banham, the keen observer of early-1970s… More»

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      #ProvenancePeek: Winslow Homer at the Met

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      The provenance of this Winslow Homer marine, or seascape, is relatively straightforward as these things go. It was entered into the stock books of M. Knoedler and Co, prominent New York art dealers, in October of 1901. Knoedler & Co purchased the painting, titled Cannon Rock, from Chicago pastor and educator Dr. Frank Gunsaulus on October 24, 1901. Just over two weeks later, on November 9, the firm sold it to art collector and dry goods merchant George Arnold Hearn. Hearn made a gift of his collection to the Metropolitan Museum of Art in 1906, and that is where Cannon Rock has lived ever since.

      This seascape is one of Homer’s later works, notable for its flatness. Homer spent the last 25 years of his life living in coastal Maine, painting land- and seascapes that both respect and challenge nature’s authority. Cannon Rock’s mellow provenance tale belies the powerful scene it presents.

      The stock books of the Knoedler Gallery have recently been transformed into a searchable database which anyone can query for free.

      Cannon Rock, 1895, Winslow Homer. Oil on canvas, 40 x 40 in. The Metropolitan Museum of Art, New York, Gift of George A. Hearn, 1906 (above); pages from the Knoedler stock and sales books listing the painting (below).


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.


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