This is the third in a series of conservators’ reflections on artworks in Pacific Standard Time. Robert Graham’s sculpture Untitled came to the Museum last October for Crosscurrents in L.A. Painting and Sculpture 1950-1970. It’s a small wax banana resting… More»
Prud’hon preferred to draw with powdery applications of black and white chalk on blue or gray paper. Instead of using line, he created contours through stumping and built form through gradations of light.
Head of a Woman: Study for “The Happy Mother," 1810, Pierre-Paul Prud"hon. J. Paul Getty Museum.