In 1964, while a student in UCLA’s graduate program in painting and sculpture, artist Judy Chicago enrolled in auto-body school—the only woman in a class of 250 men. They were all there to learn how to custom-paint cars with candy-colored… More»
Question of the Week
Question of the Week: Is It Still a Man’s World?
Question of the Week: Where Is the Line between Private and Public?
Where is the line between private and public? Each situation has a different answer—and sometimes many different possible answers. As an example, take this painting by Henri de Toulouse-Lautrec. Lautrec portrays a woman seen from above and behind as she… More»
Question of the Week: Do Americans See the World through a Distorted Lens?

Initially designating himself an “ignorant American,” photographer Alex Harris went to Cuba in 1998, camera in tow, without preconceived notions. He simply wondered what photography could tell him about this neighboring country that he, along with so many other Americans,… More»
Question of the Week: When Are Memories More Vivid Than Life Itself?
Do you have memories that feel more real than your life today? British painter J. M. W. Turner did, and they are the subject of this painting. The year is 1839. Turner, now in his 60s, has not set foot… More»
Question of the Week: Demure or Coquettish? Revealing or Concealing?
Can an artist do justice to a beautiful woman? This sensuous terracotta bust by Joseph Chinard captures the elegance and grace of legendary beauty Juliette Récamier, a socialite renowned for her wit and notorious for her love affairs. Holding a… More»
Question of the Week: Is the Viewer Part of an Artwork?
More than 60 people sit, chat, and play in this elaborate composition outside the entrance to the Jardin Turc, or Turkish Garden Café, in early-1800s Paris. The café was known for its spacious gardens, exotic pavilions, and excellent ice cream,… More»
Question of the Week: Does Art Have to Be Serious?
Nowadays, seeing a silly picture of a person is hardly unusual. Showing personality is a good thing. Social customs weren’t quite the same in 18th-century France, when Joseph Ducreux painted this self-portrait. An official court painter, he was known for refined… More»










