Roman art

Posted in Antiquities, Exhibitions and Installations, Gardens and Architecture, J. Paul Getty Museum

Chiurazzi Bronzes, from Pompeii to Malibu

Replica of a Roman bronze sculpture of Apollo as an Archer in the ruins of Pompeii
Replica of a Roman bronze sculpture of Apollo as an Archer in the ruins of Pompeii

The two bronze statues at the heart of the current Getty Villa exhibition Apollo from Pompeii: Investigating an Ancient Bronze—set to close September 12—may look rather familiar if you’ve traveled to Pompeii or seen it in pictures. For as you… More»

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Posted in Antiquities, Behind the Scenes, Conservation, Exhibitions and Installations, Getty Villa, J. Paul Getty Museum

Apollo’s Drapery: An Unfolding Puzzle

Antiquities conservator Erik Risser working on the Apollo’s drapery in the Conservation Studio at the Getty Villa

A new exhibition opening at the Getty Villa, Apollo from Pompeii: Investigating an Ancient Bronze, marks the completion of an 18-month conservation project that developed in collaboration with the Museo Archeologico Nazionale in Naples. The exhibition presents the different aspects… More»

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Posted in Art, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

Question of the Week: Is It Better for a Leader to Be Loved, or Feared?

Bust of Emperor Caracalla, Bartolomeo Cavaceppi, Italian, Rome, about 1750–70. Marble, 28 in. high

Question of the Week is a series inspired by our Masterpiece of the Week tours, offered daily at 4:00 p.m. Featuring an open and upbeat discussion among visitors and gallery teachers, the tours feature a new object and pose a… More»

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Posted in Ancient World, Antiquities, Gardens and Architecture, Getty Villa

Archaeologist Kathryn Gleason on Roman Gardens

The Outer Peristyle at the Getty Villa. © 2005 Richard Ross with the courtesy of the J. Paul Getty Trust

Kathryn Gleason is an expert on Roman gardens and a pioneer in the field of garden archaeology, an exciting and relatively new field. In advance of her lecture on Roman gardens this Saturday at the Getty Villa, she spoke to… More»

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      gettypubs:

      COBALT

      The histories of many colors are amazing, but cobalt may well have the most brilliant of them all. From the Ming Dynasty to Renaissance Italy, cobalt was a popular glaze for porcelain and other ceramics. Cobalt ink is invisible unless exposed to flame, which turns it a vivid green. In the 17th century, this quality made Europeans believe it was witchcraft, but decades later it was used as a neat trick on fire screens. It wasn’t until 1802 that painters added cobalt to their palette. 

      It is this little tidbit from cobalt’s history that saved master forger Han van Meergeren’s skin after WWII, when he was tried for collaborating with the Nazis. Want to find out how some art history sleuthing and smart science got him a not guilty verdict? Hint: Don’t try to forge a Vermeer with cobalt! 

      Read all about it in The Brilliant History of Color in Art!

      Images, clockwise:

      Glazed earthenware dish with a marchant ship, Italy, about 1510. 

      Glazed earthenware tile floor, Spain, about 1425-50.

      Porcelain lidded vase, China, about 1662-1772.

      All objects from the J. Paul Getty Museum. 

      12/18/14

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