Rome

Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Voices

Getty Voices: The Stones of Rome

Detail of a stone fountain in Rome, Italy, showing damage caused by weathering
Rome is defined by its beautiful stone buildings, bridges, and sculptures. But stone isn't eternal, even in the Eternal City. Photo: Scott S. Warren

Conservators from around the world have gathered in Rome to learn techniques for preserving stone artworks and monuments. More»

Also tagged , , , , , , , , Leave a comment
Posted in Ancient World, Education, J. Paul Getty Museum

The Seven Plagues of the Ancient Roman City Dweller

Evening traffic along Pacific Coast Highway in Malibu, near the Getty Villa
It's nothing new: Gridlock and bad air, A.D. 2009. Photo: Eric Demarq, CC BY-NC-ND 2.0

Think city living is a struggle today? The ancient Romans had it just as tough, giving their poets plenty to complain about Roman poetry is filled with entertaining rants against urban evils, which I revisited with glee while preparing for… More»

Also tagged , , , , , 2 Responses
Posted in Ancient World, Antiquities, Getty Villa

How to Wear a Toga the Ancient Roman Way

Guy Wheatley modeling a toga in the galleries of the Getty Villa

In ancient Rome, togas were no laughing matter. They were the fashion must-have for all male citizens, but men hated them: they were heavy, made your left arm as useful as a T. Rex’s, and required a team of highly… More»

Also tagged , , , , , 15 Responses
Posted in Conservation, Getty Conservation Institute

All Roads Lead to Rome

The Roman Forum

What brings a group of architects, conservators, engineers, geologists, scientists, and archaeologists from twenty countries and six continents to Rome? Rocks—or more accurately, stone. They have all come to participate in the 17th International Course on Stone Conservation, which began… More»

Also tagged , , , , , 2 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      Masked Harlequin, the commedia dell’arte’s leading man, lures an innocent, elegantly dressed young lady into the world of prostitution. She’s caught the eye of a displeased young man, dressed in dapper clothes. They stand out in this scene of costumed characters in exaggerated clothing. 

      Gillot’s light, quick brushstrokes mimics the satirical subject and lighthearted portrayal of human folly.

      Fashion Fridays explores art, history, and costume inspired by the exhibition Rococo to Revolution #NowOnView

      Scene from the Italian Comedy (recto), about 1700, Claude Gillot. The J. Paul Getty Museum

      07/25/14

  • Flickr