Sketching Gallery

Posted in Education, J. Paul Getty Museum, Prints and Drawings

Five Tips for Sketching at the Museum

William Zaluski sketching J.M.W. Turner's Modern Rome at the Getty Center

Did you know that visitors to the Getty Museum are allowed—in fact, encouraged—to draw from the artworks in the galleries and on the grounds? Whether drawing to express yourself, to discover rich patterns or details in art, or to create… More»

Also tagged , , , , , , , 2 Responses
Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Sculpture and Decorative Arts

In the Sketching Gallery, It’s Time to Create!

A visitor to the Sketching Gallery draws from a plaster cast of Adrien de Vries's Juggling Man.
A visitor to the Sketching Gallery draws from a plaster cast of Adrien de Vries's Juggling Man.

Of all my docent duties, helping visitors in the Getty Center’s Sketching Gallery is one of my favorites. What do we offer? The tangibles are not that much: paper, a few pencils, a place to sit, and some works of… More»

Also tagged , , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

  • Flickr