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Posted in Art, Behind the Scenes, Conservation, Sculpture and Decorative Arts

Waxing and Waning of Summer in Decorative Arts & Sculpture Conservation

Applying a protective wax coating to Jack Zajac's Big Skull and Horn in Two Parts II

Every Monday—when the Museum is closed to visitors and Getty staff soldier on despite the closure of the coffee carts—the Getty’s outdoor sculptures get washed and rinsed of the week’s helping of dirt, pollution, bird guano, and spider webs. This… More»

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Posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

Conservation Comes Outdoors for Henry Moore’s “Bronze Form”

What's behind that tent? Henry Moore's Bronze Form is being conserved in situ at the Getty Center

What’s inside this tent? Henry Moore’s monumental sculpture Bronze Form 5/6—normally the first artwork visitors see when arriving at the Getty Center—is undergoing a conservation treatment behind a rather mysterious-looking safety screen. My colleagues and I will be working on… More»

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      Touched by an angel. Or demon.

      The 16th-century alchemist and mathematician John Dee spent years documenting his conversations with what he believed to be angels.

      40 years after his death, the scholar Méric Causabon published Dee’s records, arguing that Dee had been talking to evil spirits all along. So what are you reading this weekend? 

      Title page from “A True and Faithful Relation …,” 1659, Méric Causabon. Getty Research Institute.

      08/31/14

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