stone conservation

Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Voices

Getty Voices: The Stones of Rome

Detail of a stone fountain in Rome, Italy, showing damage caused by weathering
Rome is defined by its beautiful stone buildings, bridges, and sculptures. But stone isn't eternal, even in the Eternal City. Photo: Scott S. Warren

Conservators from around the world have gathered in Rome to learn techniques for preserving stone artworks and monuments. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Philanthropy

Paving the Way: Mosaic Conservation Training in the Mediterranean Region

MOSAIKON course participants at the site of Herculaneum, Italy, preparing and presenting a site exercise on planning priority conservation interventions.

The Getty Conservation Institute recently completed the first training course for MOSAIKON, an ambitious collaboration dedicated to improving the  conservation and maintenance of ancient mosaics in the Mediterranean region. Begun in 2008, MOSAIKON is a partnership between the Conservation Institute,… More»

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Posted in Conservation, Getty Conservation Institute

All Roads Lead to Rome

The Roman Forum

What brings a group of architects, conservators, engineers, geologists, scientists, and archaeologists from twenty countries and six continents to Rome? Rocks—or more accurately, stone. They have all come to participate in the 17th International Course on Stone Conservation, which began… More»

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      Masked Harlequin, the commedia dell’arte’s leading man, lures an innocent, elegantly dressed young lady into the world of prostitution. She’s caught the eye of a displeased young man, dressed in dapper clothes. They stand out in this scene of costumed characters in exaggerated clothing. 

      Gillot’s light, quick brushstrokes mimics the satirical subject and lighthearted portrayal of human folly.

      Fashion Fridays explores art, history, and costume inspired by the exhibition Rococo to Revolution #NowOnView

      Scene from the Italian Comedy (recto), about 1700, Claude Gillot. The J. Paul Getty Museum

      07/25/14

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