symposium

Posted in Ancient World, Antiquities, J. Paul Getty Museum

Acrobatic Feats of the Ancient Wine Party

Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky
Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky

Wine makes a man do strange things. More»

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Posted in Art, Getty Center, Photographs, Film, and Video

Artists, Educators, and Curators on L.A. and Photography

George Baker, professor of art history at UCLA, offering the keynote address. On screen: photograph by Julia Margaret Cameron
George Baker, professor of art history at UCLA, offering the keynote address. On screen: photograph by Julia Margaret Cameron

Photography turned 175 this year. Audio and recaps from the special celebratory symposium. More»

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Posted in Architecture and Design, Behind the Scenes, Getty Research Institute, Research

Connecting Seas: The Getty Research Institute in Manila

Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez
Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez

“For all of us, the trip was revelatory on many levels.” More»

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Posted in Getty Foundation, Getty Research Institute

Rethinking Latin American Art

Anthropologia de la Mula, Anthropology of the Mule / Adriana Bustos

Is there any consensus about the definition and field of “Latin American art”? This question was the subject of discussion by a group of international art historians and curators at a recent two-part, two-continent symposium, Between Theory and Practice: Rethinking… More»

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Posted in Getty Foundation, Getty Research Institute

Symposium on Latin American Art: Live Online This Weekend

Mapa quemado/Burned Map, Horacio Zabala (Argentinian, b. 1943), 1974, mixed media on printed map. Courtesy of the artist and Henrique Faria Fine Art, New York

Update—videos of this event have been archived here. The three-day symposium Between Theory and Practice: Rethinking Latin American Art in the 21st Century is streaming live this weekend, from Friday March 11 through Sunday March 13. We invite you to… More»

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Posted in Getty Center, Getty Research Institute

Encuentros Quemando con Surreal Encanto

Adorée au grand air (collage on sandpaper), César Moro, 1935. The Getty Research Institute, 980029 © Andre Coyne

Digging for fire at the Getty Research Institute’s recent symposium Vivísimo Muerto: Debates on Surrealism in Latin America, I recalled Guillaume Apollinaire’s thoughts on what I believe to be the essence of Surrealism: “When man wanted to make a machine… More»

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      The idealized countryside painted by a native city dweller.

      This light and color study wasn’t meant for exhibition, but rather was a way for Corot to explore his new scenery outside of the studio. 

      Houses near Orleans, about 1830, Jean-Baptiste-Camille Corot. J. Paul Getty Museum.

      08/21/14

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