George Herms is known for his poetic assemblages of discarded, disheveled materials. But back in the ’60s, he had preoccupations besides art: he was “tapped out”—that is, broke and ready to tap-dance on street corners for cash—and facing eviction. His… More»
A new face is now on view!
Manet’s Spring (Jeanne Demarsy) joins the wall of portraits of women in our Impressionist gallery.