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Posted in Ancient World, Antiquities, Getty Villa, Voices

Getty Voices: Classics 2.0

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The real ancient world of Greece and Rome was much like our own: colorful, human, and messy. The Villa Teen Apprentices take it on. More»

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Posted in Antiquities, Behind the Scenes, Education, Getty Villa, J. Paul Getty Museum

Imagine a Teenager’s Museum

Teenage apprentices discuss the Roman marble of Leda and the Swan in the Temple of Herakles at the Getty Villa

I have the pleasure of running the Getty Villa Teen Apprentice Program (ViTA). Each year our goal is to open the museum from top to bottom to young people interested in the arts and introduce them to the variety of… More»

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Posted in Behind the Scenes, Education, Getty Villa, J. Paul Getty Museum

Meet the Villa Teen Apprentices

The 2010 Villa Teen Apprentices. From left to right, back row: Nick Rawitch, Rebecca Friedman, Jackie Hernandez, Maggie Farrell, Avantika Kumar, Alex Davies. Front row: Emily Sulzer, Ari Cohen, Jesenya Maldonado, Nikita Salehi. Not pictured: Jeremy Cohen, Olivia Gautier, Zanny Jacobsen

I would like to introduce to the world the Villa Teen Apprentices. This group of talented young adults is the second batch to work with us at the Villa on creating an innovative new program for the Getty designed specifically… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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