“Gérôme forged narrative practices that would take the cinema decades to invent,” art historian Marc Gotlieb told a packed auditorium recently in a discussion of The Spectacular Art of Jean-Léon Gérôme, which closes this Sunday. Really? How could a 19th-century… More»
…”the clarity of the cold carnation of old skin, the creases of the smile, the folds made by the passage of time; the powerful pleating of the forehead…”
The detail of his wrinkles, blood vessels, and moles is a realistic rendering uncommon in formal portraiture of the time. This was made by a friend.
Portrait of Louis de Silvestre, about 1753, Maurice-Quentin de la Tour. J. Paul Getty Museum.