Tiberius

Posted in Ancient World, Antiquities, Exhibitions and Installations, Getty Villa

If Statues Could Talk…

Statue of Tiberius in the Men's gallery at the Getty Villa / Roman
Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro

There’s a new emperor in town—an 8-foot-tall bronze Tiberius, to be exact. More»

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Posted in Ancient World, Antiquities, Exhibitions and Installations, J. Paul Getty Museum

Has History Got Roman Emperor Tiberius All Wrong?

Tiberius at the Getty Villa

Outrageous criminal or misunderstood victim? A new exhibition finds the man behind the scandal. More»

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Posted in Ancient World, Antiquities, Art, Conservation

(Re)Discovering Tiberius

Statue of Tiberius
Statue of Tiberius, Roman, 1st century A.D. Bronze, 96 7/8 in. (246 cm) high. Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei - Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro

Newly cleaned and conserved at the Getty Villa, this monumental Roman statue will go on view October 16. More»

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Posted in Ancient World, Behind the Scenes, Conservation, Getty Villa, J. Paul Getty Museum

A Roman Emperor Sojourns at the Getty Villa

Wheeling the Statue of Tiberius from the loading dock at the Getty VIlla

The Roman emperor Tiberius, who ruled from A.D. 14 to 37, has something of a reputation for wanting to get away from it all. In 6 B.C., he stepped out of the political and military arena and settled for seven… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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