Tony Bevan

Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

Curator’s Diary: Installing “Messerschmidt and Modernity”

Alabaster busts by Franz Xaver Messerschmidt in Messerschmidt and Modernity at the Getty Center

No amount of preparation over the life of an exhibition–from conception to development through implementation and finally installation–prepares you for the moments of surprise and delight as objects arrive from lenders and are uncrated and placed in the galleries. The… More»

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      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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