tragedy

Posted in Behind the Scenes, Getty Villa

Aeschylus’s Persian Queen: An Actor’s Craft

SITI Company rehearses Persians
In rehearsal: Ellen Lauren (foreground) as the queen of Persia; Will Bond (left) as the Messenger

Bringing alive an ancient queen. More»

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Posted in Ancient World, Getty Villa, J. Paul Getty Museum

A Guide to Aeschylus’s “Persians”

Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery
Play in progress: Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery. Photo: Sara Radamacher

A theater-goer’s guide to the western world’s oldest play. More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum, Voices

Getty Voices: Backstage at the Villa

AV staff setting up the tech booth in the Getty Villa's Outdoor Classical Theater, July 2, 2013.
AV staff setting up the tech booth in the Outdoor Classical Theater, July 2, 2013.

What does it take create live theater? Art, creativity, plotting, paperwork, energy, love, and tears. Plus lots of caffeine. More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Reimagining Euripides: A 21st-Century “Trojan Women” at the Getty Villa

Playwright and dramaturg Jocelyn Clarke and SITI Company director Anne Bogart
Playwright and dramaturg Jocelyn Clarke and SITI Company director Anne Bogart

First performed over 2,400 years ago, Euripides’ Trojan Women is one of the most enduring and moving of classical dramas—and one of the greatest antiwar plays. Beginning September 8, renowned New York-based theater troupe SITI Company premieres a newly commissioned… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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