tragedy

Posted in Behind the Scenes, Getty Villa

Aeschylus’s Persian Queen: An Actor’s Craft

SITI Company rehearses Persians
In rehearsal: Ellen Lauren (foreground) as the queen of Persia; Will Bond (left) as the Messenger

Bringing alive an ancient queen. More»

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Posted in Ancient World, Getty Villa, J. Paul Getty Museum

A Guide to Aeschylus’s “Persians”

Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery
Play in progress: Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery. Photo: Sara Radamacher

A theater-goer’s guide to the western world’s oldest play. More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum, Voices

Getty Voices: Backstage at the Villa

AV staff setting up the tech booth in the Getty Villa's Outdoor Classical Theater, July 2, 2013.
AV staff setting up the tech booth in the Outdoor Classical Theater, July 2, 2013.

What does it take create live theater? Art, creativity, plotting, paperwork, energy, love, and tears. Plus lots of caffeine. More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Reimagining Euripides: A 21st-Century “Trojan Women” at the Getty Villa

Playwright and dramaturg Jocelyn Clarke and SITI Company director Anne Bogart
Playwright and dramaturg Jocelyn Clarke and SITI Company director Anne Bogart

First performed over 2,400 years ago, Euripides’ Trojan Women is one of the most enduring and moving of classical dramas—and one of the greatest antiwar plays. Beginning September 8, renowned New York-based theater troupe SITI Company premieres a newly commissioned… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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