UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials

Posted in Behind the Scenes, Conservation, Education, Getty Villa

Backyard Archaeology at the Villa Ranch House

Site of a training excavation at the Getty Villa for students in the UCLA/Getty conservation program

Students in the UCLA/Getty Conservation Program recently dug up ancient wall paintings buried on the grounds of the Getty Villa. Not real ones, of course—it was all part of a classroom exercise for us conservators-in-training to better understand how conservation… More»

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      gettypubs:

      ULTRAMARINE

      The vibrant blue in the above image of Saint George and the Dragon (Master of Buillebert de Mets, about 1450-55) still looks remarkably vivid to modern eyes, but to medieval readers it wouldn’t have just looked eye-catching—it would have looked expensive. Why? Because this particular blue pigment (ultramarine) required lapis lazuli, like the carved stone above (Roman, second century AD). For centuries all lapis was sourced from a single mountain range in Afghanistan, meaning that a French medieval manuscript with the color required a lot of financial resources! 

      For more on ultramarine and other shades of blue, check out The Brilliant History of Color in Art.

      Both objects are from the collection of the J. Paul Getty Museum.

      11/24/14

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