visitors

Posted in Getty Center

Fashion Off the 405, Weekender Edition

fashion_off_the_405_2

In focus: visitors’ weekend style. More»

Also tagged Leave a comment
Posted in Behind the Scenes, Getty Center

Fashion Off the 405

image003

What are our visitors wearing to stay cool this summer? More»

Also tagged , , , 3 Responses
Posted in Getty Center

Dad-Tested Tips for Taking Your Son to the Art Museum

Luken Murphy in the Getty Center's Museum Entrance Hall
Museums are magic! Luken Murphy in the Getty Center’s Museum Entrance Hall holding a set of Art Detective Cards, which guide families on a treasure hunt through the galleries. Photo (minus creatures) courtesy of Brian Murphy

Museums are magical! Especially when little boys and their cool dads are involved. More»

Also tagged Leave a comment
Posted in Architecture and Design, Getty Center, Photographs, Film, and Video

L.A. Architecture and Movie Fantasy

Museum Entrance Hall at the Getty Center, designed by Richard Meier
And one day it would also be in Star Trek: the Museum Entrance Hall at the Getty Center, designed by Richard Meier

The Getty Center in Star Trek, a Beverly Hills mansion in The Big Lebowski, and other L.A. locations on the silver screen. More»

Also tagged 5 Responses
Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Paintings

Write the Opening Line to Vermeer’s “Lady in Blue”

Detail of woman's face and letter in Woman in Blue Reading a Letter / Vermeer
Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest)

What do you imagine the first line of this letter might say? Share your ideas, and we’ll continue the story. More»

Also tagged , , , , 195 Responses
Posted in Education, Getty Research Institute, J. Paul Getty Museum, Scholarship

The Museum as Classroom: Q&A with Guest Scholar George Hein

Shedding light: George Hein in the Research Library at the Getty Research Institute.
Shedding light: George Hein in the Research Library at the Getty Research Institute.

George Hein, a leading authority on museum education whom the Museum’s Education Department invited as a guest scholar this spring, says that museums are inherently educational. The professor emeritus in the Graduate School of Arts and Social Sciences at Lesley… More»

Also tagged , , , 5 Responses
Posted in Art, J. Paul Getty Museum, Paintings

Van Gogh’s Irises / Haiku Verses from Readers / An Invitation

The Irises in its gilded frame / Vincent van Gogh
Irises, 1889, Vincent van Gogh. Oil on canvas, 29 1/4 x 37 1/8 in. The J. Paul Getty Museum, 90.PA.20

Over 60 haiku in honor of Vincent van Gogh. More»

Also tagged , , 65 Responses
Posted in Getty Center, J. Paul Getty Museum

Honey, They’re Playing Our Painting

Dancer Taking a Bow (The Prima Ballerina), Edgar Degas, pastel and gouache on paper, 33 1/2 x 27 in. (85.1 x 68.6 cm). Private collection

Many couples have a favorite song, a tune that conjures up memories of blissful infatuation and unending devotion. Elia and Maranatha have a painting. The couple met three years ago when Elia, a musician, was playing at a club in… More»

Also tagged 10 Responses
Posted in Getty Center, Getty Villa, Photographs, Film, and Video

Share Your Visit with Us on Flickr

polaroid_1

What inspires you to pull out your camera and take a photo? We love to see visitors capturing moments at the Getty Villa and the Getty Center to share with family and friends. If you have photos of your visit… More»

Also tagged Leave a comment
Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Paintings

A Curator Undercover at the Museum Info Desk

Hans Hoffmann's A Hare in the Forest is curved because its wooden support has warped with time.

As the Getty Museum’s senior curator of paintings, I feel it is incumbent on me to walk through the galleries almost every day, speaking with the security officers and other staff and watching how the public looks at the collections…. More»

Also tagged , 3 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      #ProvenancePeek: Shark Attack!

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This dynamic painting of a 1749 shark attack in Havana, Cuba, by John Singleton Copley was too good to paint only once. The original hangs at the National Gallery of Art in Washington, D.C. A second full-sized version of the painting, which Copley created for himself, was inherited by his son and eventually gifted to the Museum of Fine Arts, Boston.

      The third version (shown here) is slightly reduced in size, with a more vertical composition. It resides in the Detroit Institute of Arts.

      A quick peek into the digitized stock and sales books of art dealer M. Knoedler & Co. at the Getty Research Institute shows the sale of Copley’s masterpiece. It was entered under stock number A3531 in July 1946 and noted as being sold to the Gallery by Robert Lebel, a French writer and art expert. The Knoedler clerk also carefully records the dimensions of the painting—30 ¼ x 36 inches, unframed.

      On the right side of the sales page you’ll find the purchaser listed as none other than the Detroit Institute of Arts. The corresponding sales book page gives the address: Woodward Ave, Detroit, Mich., still the location of the museum.

      Watson and the Shark, 1782, John Singleton Copley. Detroit Institute of Arts

      _______

      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      02/10/16

  • Flickr