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Posted in Behind the Scenes, Voices

Getty Voices: The Social Museum

Where do you get new ideas?

How do we make ourselves more social, more innovative, less afraid of failure? More»

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Posted in Art, Publications, Research, Voices

It’s Time to Rethink and Expand Art History for the Digital Age

Google Image Search result for "Mona Lisa"
But is it art history? Google Image Search result for "Mona Lisa"

We need a 21st-century rethink of art history, one that takes us beyond academia to include artistic creation and the reception of artworks by the public. More»

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Posted in Art, Behind the Scenes, Publications, Research, Voices

Rethinking Art History | Getty Voices

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In the digital age, is art history still relevant? The discussion is needed, and needed now. More»

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Posted in Behind the Scenes, J. Paul Getty Trust, Voices

New “Getty Voices” Project Features Creative Angles on Art and Culture, One Week at a Time

voices_featured

This morning we launched Getty Voices, a new social media project on The Iris led by a different member of the Getty community every week. More»

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Posted in Photographs, Film, and Video

L.A.’s Cinematic Experiment, Then and Now

Kenneth Anger and Raymond Rohauer in front of the Cinema Theatre, Los Angeles, 1964

Los Angeles is known as a Hollywood town, but our film scene has always been about more than stars and blockbusters. Throughout the Pacific Standard Time era, experimental cinema screened across town and played a major role in the art… More»

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Posted in Behind the Scenes, Education, Photographs, Film, and Video

Six Questions for Peter Greenaway

Peter Greenaway at the Getty Center

For our Getty Perspectives lecture series, filmmaker Peter Greenaway came to speak about his new work creating immersive environments inspired by masterpieces of European painting. At the event, and on Facebook and Twitter, we put out the call for your… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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