Web design

Posted in Architecture and Design, Getty Research Institute, Prints and Drawings, Voices

Getty Voices: From Paint to Pixels

Four color spheres
In Philipp Otto Runge, Farben-Kugel (Hamburg, 1810), plate opposite p. 15 Hand-colored etchings 85-B14217 Research Library, The Getty Research Institute

How do you transform a 19th-century watercolor into a digital logo? More»

Also tagged , , , 1 Response
Posted in Exhibitions and Installations, Getty Center, Getty Conservation Institute, Getty Research Institute, J. Paul Getty Museum

Countdown to Pacific Standard Time

Ablutions performance at Guy Dill’s studio
Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol

This morning we launched a new website dedicated to Los Angeles art from 1945 to 1980. Here you can get acquainted with Pacific Standard Time, the region-wide collaborative project that will tell the story of the L.A. art scene and… More»

Also tagged , , , , , , , , , 6 Responses
Posted in Art, Getty Research Institute, Research

Explore New Features and Tools on the Getty Research Institute’s Website

Caption TK

Eighteen months ago we at the Getty Research Institute decided to give our website a complete overhaul. A small group formed and spent the first three months looking through hundreds and hundreds of pages on our site. We talked, and… More»

Also tagged , , , , , , 5 Responses
Posted in Behind the Scenes, J. Paul Getty Trust

Career Profile: Tina Shah, Web Content Administrator

Tina Shah, Web content administrator at the J. Paul Getty Trust

What do you do at the Getty? I work on a variety of Web and new media projects that allow me to collaborate with my colleagues within the Web Group as well as other departments across the Getty. I’m a… More»

Also tagged , , , , 2 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

  • Flickr