wildlife

Posted in Behind the Scenes, Getty Villa, Photographs, Film, and Video, Voices

A Young Buck on a November Morning

2_gmvi_WH7893_BuckDeer_002_featured

I spoke to him quietly: “I’m not here to hurt you, my friend. I just want to take your picture to share with the world how beautiful you are.” More»

Also tagged , , , , , , , 2 Responses
Posted in Behind the Scenes, Gardens and Architecture, Getty Villa, Photographs, Film, and Video, Voices

The Transformative Outer Peristyle

Sunrise Outer Peristyle

Stunning by day, by night, at sunrise and at sunset, the Outer Peristyle at the Getty Villa is also a backdrop from a dramatic duck love story. More»

Also tagged , , , , Leave a comment
Posted in Behind the Scenes, Gardens and Architecture, Photographs, Film, and Video, Voices

Getty Voices: Getty Gone Wild

tahnee_featured

Photographic encounters with deer, birds, butterflies, and other wildlife of the Getty.
More»

Also tagged , , , , , 23 Responses
Posted in Gardens and Architecture

For California Gardeners, Winter Is the New Summer

European honeybee on tidy tips in the Central Garden

Winter, the sere season? Not in California, where the cool months are our lushest, our most verdant of all. More»

Also tagged , , , , , Leave a comment
Posted in Gardens and Architecture, Getty Center, Getty Villa

Seeing the Chaparral for Earth Day

View from the trail in Los Liones Canyon in Topanga State Park

Both the Getty Villa and the Getty Center have the good fortune of being adjacent to state parkland, and some of us make a point of getting out at lunch or after work to enjoy nearby hiking trails. We think… More»

Also tagged , , , , , , 1 Response
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

  • Flickr